Piano soloist
Chamber musician
Vocal coach
1 August 2026, 19:00, Collegium Novum, Krakow
Polskie pieśni i polskie arie operowe
Karol Szymanowski (1882–1937) – Sześć pieśni op. 2 do słów Kazimierza Przerwy-Tetmajera (1900–1902)
Tadeusz Szeligowski (1896–1963) – Pieśni zielone na głos wysoki i fortepian, sł. wg oryginalnego tekstu ludowego oprac. Roman Brandstaetter (1930)
Mieczysław Karłowicz (1876–1909):
Stanisław Moniuszko (1819–1872):
aria Hrabiny Zbudzić się z ułudnych snów z opery Hrabina
aria Neali Snują się snują senne widziadła z opery Paria
Ludomir Różycki (1883–1953) – aria Beatrix Po cierpieniach spokój wraca z opery Beatrix Cenci
Władysław Żeleński (1837–1921) – aria Bronki Tam orzeł nad turniami szybuje z opery Janek
Stanisław Moniuszko (1819–1872) – aria Halki Ha! dzieciątko nam umiera z opery Halka
26 June 2026, 18:00, Vienna
TBA
In this composition inspired by the landscape, Natalia Jarząbek and Dominika Peszko showed their imagination and interpretation, but also their maturity and extensive experience in the interpretation of 20th century and contemporary music. (...) Especially impressive was Peszko’ s playing - precise, focused, and at the same time light and determined.
Bartók's "Out of doors" Piano Suite is (...) a very beautiful, but at the same time very responsible work for pianist. A recording made by Ms. Dominika Peszko is one of the best performances of this piece, I have ever heard.
Almost thirty years have passed and we have lived to see "Vingt Regards" presented by Dominika Peszko (...). The artist conveyed all the complexity of Messiaen's music. In her interpretation there was both an intimate, tender, almost romantic delicacy, and bird chirps, and the stellar, impersonal glassiness of the stellar universe and the power of the Absolute. Messiaen said that in Vingt Regards he was looking for the language of mystical love. It seems that Dominika Peszko was able to properly read this language and evoke its atmosphere.